Mourad Merzouki
FROM MONDAY, JUNE 28 TO WEDNESDAY, JUNE 30, AT AT 21.00, THE FOLIA SHOW WILL BE BROADCAST IN DIGITAL STAGE ON WWW.FESTIVALDISPOLETO.COM.
Mourad Merzouki
ARTISTIC DIRECTOR AND CHOREOGRAPHER
ASSISTED FROM
Marjorie Hannoteaux
MUSIC
Franck-Emmanuel Comte - Le Concert de l'Hostel Dieu
and Grégoire Durrande
SCENE
Benjamin Lebreton
LIGHTS
Yoann Tivoli
MUSICIANS COSTUMES
Pascale Robin
ASSISTED FROM
Pauline Yaoua Zurini
DANCERS COSTUMES
Nadine Chabannier
DANCERS
Habid Bardou, Nedeleg Bardouil, Salena Baudoux, Mathilde Devoghel, Sofian Kaddaoui, Mélanie Lomoff, Joël Luzolo, Franck Caporale, Mathilde Rispal, Yui Sugano, Aurélien Vaudey, Titouan Wiener
MUSICIANS
André Costa, Gwenaël Dubois, Clara Fellmann, Vincent Girard, Clément Latour, Florian Verhaegen
SOPRANO
Heather Newhouse
Co-production Pôle en Scènes, Encore un Tour, Les Nuits de Fourvière, Centre chorégraphique national de Créteil et du Val-de-Marne / Cie Käfig, Lling Music
With the support of the Caisse des Dépôts
Duration: 1 hour, 15 minutes
Mourad Merzouki's shows immediately predispose us to joy, both because they are able to capture the viewer's enthusiasm and because they invite to immersion in poetry, each according to his or her own inclination. Folia is no exception, and enchantment is its sacred spirit. Here dance becomes an art to mosaic, new synergies emerge from the multiple connivances between hip-hop and baroque music, between the Italian tarantella and electronics, between classical ballet and the movements of rotating dervishes. Artistic intersections are born that are as unexpected as they are immediately popular: a journey from southern Italy to the New World in which the dancers of the Käfig company evolve together with the musicians of the baroque ensemble Le Concert de l'Hostel Dieu led from Franck-Emmanuel Comte, between the notes of Vivaldi and the electronic sounds created from Grégoire Durrande. Merzouki takes the spectator by the hand and draws him into a vortex of amazement. A crescendo of emotions that turns into a spiral of energy. And when the madness fades, snow falls on a spinning dervish as a soprano's voice fills the space with its luminous timbre. Mourad Merzouki's ballet is a very real utopia, arising from the meeting of seemingly opposite disciplines whose unusual combination gives grace to its alchemy.
"After the 7Steps project in 2014, I wanted to continue the work I started with Baroque music. These unusual and unexpected encounters between two totally opposite worlds are part of my artistic process. In all my creations I have always taken hip-hop to new horizons, comparing it with new musical realms and universes.
In Folia, not only hip hop dance meets the baroque music of Le Concert de l'Hostel Dieu, but also contemporary dance, ballet, and whirling dervishes. My intention is to bring these very different disciplines into dialogue."
Mourad Merzouki
"There are many 'folia,' and Vivaldi's is one of the most virtuous. There are many forms of folia, creative folia is what drives artists. 'Folia' and madness are the very essence of our musical world: a journey from southern Italy to the new world, from the Baroque repertoire to electronic music."
Franck-Emmanuel Comte
Trained initially in martial arts and circus, in his teens he became passionate about dance, particularly hip-hop culture, while simultaneously exploring other choreographic genres.He founded his first company, Accrorap, in 1989 with Kader Attou, Eric Mezino and Chaouki Saïd, while in 1996 the company Käfig (which means "cage" in Arabic and German) was born, so named to represent, paradoxically, his "openness" and refusal to to remain bound to a single style.Merzouki works by fusing different disciplines: he combines circus, martial arts, fine arts, video and live music to his exploration of hip-hop dance.Without losing sight of the roots of the hip-hop movement, his multidisciplinary approach opens up new horizons and reveals completely new perspectives.to head of the Centre chorégraphique national de Créteil et du Val-de-Marne, he develops an artistic project with an international scope, but at the same time rooted in the territory, across all aesthetic, cultural and social boundaries. Through tours, workshops, residencies and the Kalypso Festival, Merzouki promotes and celebrates hip-hop culture, an art that in more than 30 years has become a distinctive element of the cultural heritage of French identity.
After studying at the Conservatoire Supérieur de musique in Lyon, Franck-Emmanuel Comte holds prestigious positions and is a guest at theaters d'opera (including Nantes, Lyon, and Paris Opera Studio) and works with orchestras such as the Orchestre des Pays de Savoie, Ensemble Orchestral Contemporain, Auckland University Orchestra, and Collegium Musicum Riga. Artistic director of the Concert de l'Hostel Dieu, conducting it in more than 1,500 concerts and for 20 recordings. A regular guest in European and world capitals (such as Barcelona, Rome, Brussels, Madrid, Riga, Kolkata, Chennai, Beijing, and Taiyuan) and at numerous international festivals (including Brežice, Montserrat, Girona, Foligno, Wallonia, Ambronay, and La Chaise-Dieu), Franck-Emmanuel Comte is passionate about baroque repertoire and cross- or atypical artistic projects.The Concert de l'Hostel Dieu places young international soloists, recruited from academies or at European baroque music competitions, at the center of its projects. The orchestra can benefit from the experience of its first violinist Reynier Guerrero.In each of his projects, Franck-Emmanuel Comte is committed to to share a lively and unique repertoire with audiences and young artists, reshaping the classical meaning of concerts. In this spirit, he intervenes to lectures, reading-concerts and masterclasses, develops instructional videos and new concert genres. These tools allow to Franck-Emmanuel Comte to transmit his passion to a wide audience.He is artistic director of the Musicales en Auxois festival in Burgundy and the Centre musical international J.S. Bach de Saint-Donat.
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