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61

PROGETTO ACCADEMIA

EUROPEAN YOUNG THEATRE 2018

ACCADEMIA NAZIONALE

D´ARTE DRAMMATICA

“SILVIO D´AMICO”

presidente Salvatore Nastasi

direttore Daniela Bortignoni

Studi e performance proposti

da giovani attori e registi europei

from
Friday
29
June
2018
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18:00
from
2018
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Saturday
14
July
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17:00
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2018
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2018
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2018
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theater

Synopsis

The "Academy Project" of the National Academy of Dramatic Arts "Silvio d´Amico" is dedicated to presenting the best exercises and essays of 2018. The Academy presents Tyrant Oedipus!, from Sophocles, an essay by 3rd year students directed by Giorgio Barberio Corsetti. The 3rd year student directors, led from Arturo Cirillo, present Inedito Williams: Vieux Carré, L´eccentricità di un usignolo, Una bellissima domenica to Creve Coeur, texts never performed in Italy by the American playwright. Year II essays are dedicated to Harold Pinter´sopera : Massimiliano Farau curates the direction of the two one-act plays_ Landscape and The Collection_; Andrea Baracco leads students in the Proust essay (In Search of Lost Time), the first Italian edition of Harold Pinter & Di Trevis´ theatrical adaptation of Marcel Proust´sopera ; Giacomo Bisordi curates a reading of Harold Pinter´s screenplay The French Lieutenant´s Woman, with Year II students and Academy graduate students.

This year, the Academy's programming is enriched by the presence of the Carmelo Rocca Award, which is announced by the Academy with the contribution of SIAE.

Also on the program are work demonstrations titled Without Knocking - 15 Days of Experiments in Dance Theater - for a public sharing of the workshop led from Cristiana Morganti, with 2nd year students.

For the sixth edition of "European Young Theatre," fifty young actors and directors from leading schools in Europe and around the world are offering their studies and performances, competing in a Groups Competition.

As every year, the young students of Year I animate the streets of the historic center with a traveling performance Mask 5, directed from Michele Monetta.

Credits

Programma

EUROPEAN YOUNG THEATRE

GROUPS´ COMPETITION 2018

6 O'CLOCK THEATER - LUCA RONCONI

**GROUPS' COMPETITION 2018 **

friday June 29

at 18.00

**Seoul Institute of the Arts

CONTROLLER AND DRIVER

directed by Kang ChoongMan

dramaturgy **Yi Seoa **

with Kang ChoongMan, Yu DongIn

sound design Oh Myung Seok

producer Han Jyunga

at 20.00

Janáček Academy of Music and Performing Arts in Brno

IGLOO

dramaturgy and direction Jiří Liška

with Hana Drozdová, Daniel Mišák

light design **Jindřich Hudeček **

sound design **Vojtěch Kříž **

Saturday 30 June

at 18.00

University of South Carolina Lancaster

TO DEAFENING SILENCE

dramaturgy and direction** Ruth Reed**

with Matthew Broughton, Coda Fontaine, Ruth Reed, Caryl Robinson

Destiney Hudson costumes

Sunday 1 July

at 16.00

National Academy of Dramatic Art "Silvio d'Amico"

A SLIGHT DISCOMFORT

by Harold Pinter

directed by Eros Pascale

assistant director Adele Cammarata

With Lorenzo Ciambrelli, Ilaria Martinelli, Eros Pascale

at 18.00

National Academy of Dramatic Art "Silvio d'Amico"

FOLLOWERS

directed by Danilo Capezzani

with Xhulio Petushi, Francesco Russo

Monday, July 2

at 18.00

National Academy of Dramatic Art "Silvio d'Amico"

SILENCE

by** Harold Pinter**

directed** Vittorio Francesco Pellegrino**

With Simone Chiacchiararelli, Carolina Ellero, Francesco Vittorio Pellegrino

at 20.00

**Russian State Institute of Performing Arts - Saint Petersburg **.

**MAN.SILENCE.WOMAN. **

dramaturgy and direction Roman Muromtsev

With Georgi Batarieli, Oleg Pak, Julia Volokitina, Artem Kazyukhanov

Tuesday 3 July

at 16.00

Lithuanian Music and Theatre Academy

I DREAMT THAT SOMEBODY CALLED ME DARLING

dramaturgy and direction** Eglė Švedkausaitė**

with Kamilė Galkutė, Petras Šimonis

at 18.00

GROUPS' COMPETITION 2018 AWARDS CEREMONY

SIAE AWARD

Performances in original language, suitable for adult audiences.

Reservations required while spaces last (maximum 2 reservations to person)

Info line and reservations only at: 334 1835543 (active from June 15) at 10 a.m.-1 p.m. and 3-5 p.m.

Box office 6 o'clock theater - Luca Ronconi (from July 1) at 10 a.m.-1 p.m. and 3-6 p.m.

June 29

18:00

6 o'clock theater Luca Ronconi

free admission

June 29

20:00

6 o'clock theater Luca Ronconi

free admission

June 30

18:00

6 o'clock theater Luca Ronconi

free admission

01 July

16:00

6 o'clock theater Luca Ronconi

free admission

01 July

18:00

6 o'clock theater Luca Ronconi

free admission

02 July

18:00

6 o'clock theater Luca Ronconi

free admission

02 July

20:00

6 o'clock theater Luca Ronconi

free admission

03 July

16:00

6 o'clock theater Luca Ronconi

free admission

03 July

18:00

6 o'clock theater Luca Ronconi

free admission

NATIONAL ACADEMY OF DRAMATIC ARTS "SILVIO D´AMICO"

WHAT HAPPENED TO JACK, JACK, JACK

dramaturgy and direction** Francesco Petruzzelli**

winner of the CARMELO ROCCA AWARD.

with the contribution of** SIAE - Italian Society of Authors and Publishers**

with Giulia Gallone, Giuseppe Benvegna, Michele Lisi, Carlotta Mangione, Lorenzo Parrotto, Francesco Petruzzelli, Enrico Torzillo

scenes** Paola Castrignanò**

lights Javier delle Monache

costumes **Anna Miassaglia **

assistant director Francesca Caprioli

The Accademia Nazionale d´Accademia d´Arte Drammatica Silvio d´A Amico in collaboration with SIAE awards a production prize, aimed at young graduates, for the design of a play. The Prize is named to Carmelo Rocca, the historic director of live entertainment and cinema of the MIBACT, as well as president and member of the Board of Directors of the Academy, an institution that has always followed and supported with particular intelligence and attention the debut and professional entry of the young generation of actors and directors.

Performances in original language, suitable for adult audiences.

Reservations required while spaces last (maximum 2 reservations to person)

06 July

15:00

6 o'clock theater Luca Ronconi

free admission

06 July

18:00

6 o'clock theater Luca Ronconi

free admission

THE COLLECTION.

LANDSCAPE

by Harold Pinter

translation **Alessandra Serra **

essay by 2nd year students

directed by Massimiliano Farau

With Vincenzo Abbate, Raffaele De Vincenzi, Francesca Florio, Luca Forlani, Sara Mafodda, Jacopo Nestor

student director Federico Orsetti

scenes Fabiana Di Marco

costumes** Ilaria Albanese**

lights** Camilla Piccioni **

The Landscape Collection are one-acts written from Pinter in the 1960s and rarely performed: two rarefied and disturbing charades about the ambivalence of desire, the elusiveness of memory, and the elusive nature of the real.

Performances in original language, suitable for adult audiences.

09 July

21:00

6 o'clock theater Luca Ronconi

free admission

PROUST

(In search of lost time)

theatrical adaptation by Harold Pinter & Di Trevis

translation Alessandra Serra

essay by 2nd year students

directed by Andrea Baracco

With **Gianfilippo Azzoni, Matteo Binetti, Caterina Corbi, Serena Costalunga, Giulia D'Aloia, Domenico De Meo, Adriano Exacoustos, Luigi Fedele, Leonardo Ghini, Diego Giangrasso, Dora Macripò, Elisabetta Mancusi, Gaia Masciale, Alberto Penna, Mersila Sokoli **

student director **Danilo Capezzani **

scenes Luca Brinchi, Daniele Spanò

costumes Marta Crisolini Malatesta

lights Javier delle Monache

music and sound Giacomo Vezzani, Riccardo Vanja Sturno

For the first time, this monumental undertaking by Harold Pinter, who adapted, first for film (however, the film, which was to be directed from Losey, was never made due to budget problems) and a few years later for the theater, one of the most important and complex novels ever written, Marcel Proust's Recherche, is being offered on an Italian stage.

Performances in original language, suitable for adult audiences.

12 July

21:00

6 o'clock theater Luca Ronconi

free admission

THE WOMAN OF THE FRENCH LIEUTENANT

by Harold Pinter

script reading

translation by Camillo Pennati

directed by Giacomo Bisordi

With **Massimiliano Aceti, Anna Chiara Colombo, Alice Generali, Emanuele Linfatti, Elisabetta Misasi, Michele Ragno, Sara Putignano, Pavel Zelinskiy **

and with students Michele Lorenzo Eburnea, Marco Selvatico

student director Caterina Dazzi

scenes Paola Castrignanò

costume supervision Gianluca Falaschi

costumes Anna Missaglia

lights **Luigi Biondi **

Performances in original language, suitable for adult audiences.

15 July

16:00

6 o'clock theater Luca Ronconi

free admission

NATIONAL ACADEMY OF DRAMATIC ARTS "SILVIO D´AMICO"

WITHOUT COMPASSING

15 Days of Experiments in Dance Theater

Demonstration of work by 2nd year students guided from

Cristiana Morganti

assistant Anna Fingerhuth

Performances in original language, suitable for adult audiences.

06 July

19:30

Gardens of the Horse Chestnut House

free admission

07 July

19:00

Gardens of the Horse Chestnut House

free admission

08 July

19:00

Gardens of the Horse Chestnut House

free admission

NATIONAL ACADEMY OF DRAMATIC ARTS "SILVIO D´AMICO"

MASK 5

traveling performance through the streets of the historic center

Of first-year students

direct from Michele Monetta

with** Cecilia Bertozzi, Andrea Dante Benazzo, Anna Bisciari, Ciro Borrelli, Adele Cammarata, Lorenzo Ciambrelli, Anastasia Doaga, Marco Fanizzi, Federico Fiocchetti, Carlotta Gamba, Vincenzo Grassi, Enrico Elia Inserra, Ilaria Martinelli, Michele Enrico Montesano, Luca Nencetti, Elena Orsini Baroni, Davide Panizza, Sofia Panizzi, Diego Parlanti, Eros Pascale, Evelina Rosselli, Caterina Rossi, Giovanni Scanu, Lena Sebasti**

student directors Andrea Lucchetta, Luigi Siracusa

Performances in original language, suitable for adult audiences.

07 July

17:30

In the city

free admission

NATIONAL ACADEMY OF DRAMATIC ARTS "SILVIO D´AMICO"

TIRANNO EDIPO!

3rd year students' essay

from Sophocles

dramaturgy and direction Giorgio Barberio Corsetti

starring **Francesca Astrei, Matteo Berardinelli, Maria Chiara Bisceglia, Caterina Bonanni, Alessandro Businaro, Dario Caccuri, Simone Chiacchiararelli, Romina Colbasso, Carolina Ellero, Lorenzo Guadalupi, Domenico Luca, Ignazio Sergio Maniscalco, Francesca Melluso, Marco Valerio Montesano, Ada Nisticò, Tommaso Paolucci, Francesco Vittorio Pellegrino, Francesco Pietrella, Rebecca Sisti, Aron Tewelde **

student directors Tommaso Capodanno, Paolo Costantini, Marco Fasciana

scenes Massimo Troncanetti

costumes **Francesco Esposito **

lights **Marco Giusti **

Original music, preparation and choir direction sung **Massimo Sigillò Massara **

sound to care of **Hubert Westkemper **

video creation **Igor Renzetti, Lorenzo Bruno **

choreography and movement **Francesco Manetti, Monica Vannucchi **

assistant directors **Fabio Condemi, Giacomo Bisordi **

assistant set designer** Alessandra Solimene **

collaboration on dramaturgy Maria Luisa Maricchiolo and Michele Mazzone

The play, inspired by Sophocles' _Edipus Rex_, is a visionary journey through paintings representing the origins of modernity.

June 30

12:00

Auditorium della Stella

01 July

21:00

Auditorium della Stella

02 July

21:00

Auditorium della Stella

03 July

18:00

Auditorium della Stella

04 July

21:00

Auditorium della Stella

05 July

17:00

Auditorium della Stella

ACADEMY PROJECT 2018

UNRELEASED WILLIAMS

VIEUX CARRÉ

**INEDIT WILLIAMS **

III year students' studies

of the directing course

to edited by Arturo Cirillo

Three almost unpublished texts by Tennessee Williams, because _A Beautiful Sunday to Creve Coeur _was brought to the stage in 1996. The other two, however, The Eccentricities of a Nightingale and Vieux Carré, find a performance in Italy for the first time. In these three unpublished, or nearly so, is all of Williams, with his figures of marginal, lonely, longing for love and attention.

Vieux Carré

by Tennessee Williams

translation by Michela Scalzini

student director **Marco Fasciana **

with **Maria Chiara Bisceglia, Caterina Bonanni, Simone Chiacchiararelli, Romina Colbasso, Carolina Ellero, Lorenzo Guadalupi, Silvia Gussoni, Domenico Luca, Francesco Vittorio Pellegrino **

08 July

22:00

Auditorium della Stella

ACADEMY PROJECT 2018

UNRELEASED WILLIAMS

THE ECCENTRICITY OF A NIGHTINGALE

**INEDIT WILLIAMS **

III year students' studies

of the directing course

to edited by Arturo Cirillo

Three almost unpublished texts by Tennessee Williams, because A Beautiful Sunday to Creve Coeur was brought to the stage in 1996. The other two, however, The Eccentricities of a Nightingale and Vieux Carré, find a performance in Italy for the first time. In these three unpublished, or nearly so, is all of Williams, with his figures of marginal, lonely, longing for love and attention.

THE ECCENTRICITY OF A NIGHTINGALE

by Tennessee Williams

translation by Masolino d'Amico

student director Paolo Costantini

with** Francesca Astrei, Maria Chiara Bisceglia, Sergio Maniscalco, Francesca Melluso, Marco Valerio Montesano, Ada Nisticò, Francesco Pietrella, Rebecca Sisti, Aron Tewelde**

11 July

19:30

Auditorium della Stella

ACADEMY PROJECT 2018

UNRELEASED WILLIAMS

A BEAUTIFUL SUNDAY TO CREVE COEUR

**INEDIT WILLIAMS **

III year students' studies

of the directing course

to edited by Arturo Cirillo

Three almost unpublished texts by Tennessee Williams, because _A Beautiful Sunday to Creve Coeur _was brought to the stage in 1996. The other two, however, The Eccentricities of a Nightingale and Vieux Carré, find a performance in Italy for the first time. In these three unpublished, or nearly so, is all of Williams, with his figures of marginal, lonely, longing for love and attention.

_A Beautiful Sunday to Creve Coeur _

by Tennessee Williams

translation by Masolino d'Amico

student director Tommaso Capodanno

With Matteo Berardinelli, Alessandro Businaro, Dario Caccuri,Tommaso Paolucci

scenography** Dario Gessati**

costume coordination Gianluca Falaschi

lighting design Luigi Biondi

sound supervision for A Beautiful Sunday to Creve Coeur and for _Vieux Carré _HubertWestkemper

choreography from A Beautiful Sunday to Creve Coeur** Francesco Manetti**

assistant director** Giacomo Bisordi **

music by Vieux Carré** **DomenicoAlvaro

singing supervision for The Eccentricity of the Nightingale Joana Estebanell

14 July

17:00

Auditorium della Stella

Dates & Tickets

TICKETing office
Fri
29
Jun
2018
at
18:00
at
at
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at
at
at
at
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Timetable
28 Giugno
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
29 Giugno
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
30 Giugno
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
01 Luglio
10:00
11:00
12:00
13:15
14:15
15:30
16:30
17:45
20:30
21:30
02 Luglio
10:00
11:00
12:00
13:15
14:15
17:30
18:30
19:45
20:45
21:45
04 Luglio
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
05 Luglio
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
06 Luglio
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
07 Luglio
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
08 Luglio
10:00
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
20:45
21:45
09 Luglio
10:00
11:00
12:00
13:00
14:15
17:30
18:30
19:45
20:45
21:45

Playlist

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Video

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Biographies

GIORGIO BARBERIO CORSETTI

He is an actor, author and director of theater and opera in Italy and abroad. He was director of the Biennale Teatro in Venice (1999/2001), consultant of Musica per Roma for dance and theater (2005/2009), directed for six years the Festival of new circus "Metamorfosi" to Rome, collaborated as a consultant and artistic director at FestiVal di Villa Adriana to Tivoli, conceived and curated the Festival "Vertigine," dedicated to Italian emerging theater. from decades is committed to exploring through his performances the boundary between theater and other arts: visual arts, poetry, writing, music, circus arts, video-art, dance. The territory of his research and works in Italy and abroad is from time to time defined from very different but equally powerful poetic nuclei, such as the writing of Kafka, Goethe, Kleist, Ovid, Shakespeare, Pirandello, Chretien de Troyes, Labiche, Renaissance and Baroque painting, contemporary dramaturgy, Barker, Dimitriades, Lohle, the melodrama of Rossini, Verdi, Donizetti, Bellini, Guarnieri, Adams, Hoffenbach bringing them to the stage in Italy and major European theaters (Teatro Nacional São João in Porto, Thèatre National in Strasbourg Théâtre de l'Odéon, Comedie Francaise). In addition, he has directed numerous operas in Italy and abroad and continues to design on an international scale with his company and other European theaters, (La Fenice in Venice, Teatro Alla Scala, Mariinsky Theatre, Théâtre du Châtelet, Opera de Lille, Teatro dell´Opera in Rome, to name but a few). For each of the works from to which he is attracted and in which he immerses himself, he gives a singular poetic reading, for each one, always striving to to identify its vitality and energy, he defines a different code of stage writing and reading from by the audience. Equally committed to classical and contemporary writings he interprets them as if they were living texts, enigmas still active to decipher the world around us.

MASSIMILIANO FARAU

With a degree in Literature from the University of Rome "La Sapienza," and a diploma in Direction from the "Silvio d´Amico," he specialized at the Guildhall School of Music and Drama in London. He has directed more than fifty performances including: Leonard Bernstein-I Hate Music! (Teatro Due, Parma),_ Und_ by Howard Barker, _The Letter of Last Resort _by David Greig, with Sergio Romano and Laura Mazzi, Lungs by Duncan Macmillan, Crollasse il mondo by Alessandra Mortelliti, with David Coco (Teatro Stabile di Catania), California Suite by Neil Simon, with Paola Quattrini, _Andromaca _by Jean Racine, with Manuela Mandracchia and Graziano Piazza, The Lover by H. Pinter, with Mascia Musy, Killer Joe by Tracy Letts, with Francesco Montanari and Edoardo Pesce, Beckett/Pinter (Teatro Mercadante Napoli), Frozen by Bryony Lavery with Elisabetta Pozzi, Maria Paiato, Fausto Russo Alesi, The Memory of Water by Shelagh Stephenson, with Manuela Mandracchia, Sara Bertelà, Too Bad She Was a Whore by John Ford, with Pierfrancesco Favino, Monster by Duncan Macmillan, with Fabrizio Falco, The License by Luigi Pirandello, _Gennareniello _by Eduardo De Filippo and The Virtuous Burglar by Dario Fo (American Conservatory Theater, San Francisco), _On the Tables of Your Heart _by L. Musati, with Mariano Rigillo, _Abelardo Eloisa Eloim _by M. Boggio (Taormina Arte), _The Man of Destiny _by G. B. Shaw (Wimbledon Studio Theatre, London), Carlo Goldoni's Il Molière (Teatro Valle). He teaches Acting at "Silvio d'Amico"; he has to taught at the Experimental Center of Cinematography to "Before the Theater," at the National School of Drama (New Delhi), at ACT in San Francisco, at the New York Film Academy.

ANDREA BARACCO

He graduated in Letters and Philosophy at the University of Rome "La Sapienza" and graduated and improved in directing at the National Academy of Dramatic Art "Silvio d'Amico." Among his works: in 2011 he signs the direction of Julius Caesar by W. Shakespeare, a play staged in 2012 at the Globe Theatre in London; the same play is the winner OF THE CERTAMEN ALMAGR-OFF, Festival Internacional del Teatro Clasico in Almagro (Spain). In 2012, 2013, 2014 he signs respectively the directions of Troilus and Cressida by William Shakespeare, _A Midsummer Night's Dream _by William Shakespere and Odyssey by Derek Walcott, for TSA (Teatro Stabile d'Abruzzo). In 2012 he made his film directing debut directing the film The Logic of Things, for which he also co-wrote. In 2013 he staged Bertolt Brecht´s Life of Edward II of England at the Teatro Olimpico in Vicenza for the 66th cycle of classical plays under the direction of Eimuntas Nekrosius. In 2014, he signed the direction of William Shakespeare´s Hamlet, which premiered at the Festival of Classical Theatre in Almagro (Spain) and had its national premiere at the Teatro Argentina in Rome as part of the Romaeuropa Festival. In 2016 Hamlet was staged in the Palace of Bellas Artes to Mexico City. In 2015 he signed the direction of Flaubert's Madame Bovary adapted by Letizia Russo. Also in 2016 he signed the adaptation and direction of _Romeo and Juliet _by William Shakespeare, staged at the Teatro Romano of Verona as part of the 68th edition of the Estate Teatrale Veronese. In 2016 and 2017 he directed Glauco Mauri in _Edipus re _by Sophocles and in _Finale di partita _by Samuel Beckett. He combines his activity as director with that of acting and directing teacher.

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