Musicisti della Budapest Festival Orchestra
Delirio amoroso
Concerti di mezzogiorno
"For you I left the light," says the nymph Clori to the shepherd Tirsi. Clori has traveled to Hades to see her beloved again, who even in life never reciprocated her feelings. from this unhappy love story Händel creates the cantata from that fateful day: a theatrical dialogue in which the solo voice - soprano Lore Binon guided by Sigrid T'Hooft's choreography - and the instruments of the BFO musicians, called to intervene with all their colors. It will be the oboe to letting us access the clearing of the nymphs, the violin to intertwining with Clori's song, the cello to consoling her melancholy.
Musicians of the Budapest Festival Orchestra
artistic director and baroque violinist Sergey Malov
soprano Lore Binon
choreography Sigrid T'Hooft
first violins
Sergey Malov
Péter Kostyál
Gyöngyvér Oláh
Gábor Sipos
second violins
Eszter Lesták Bedő
Györgyi Czirók
Levente Szabó
Zsolt Szefcsik
violas
Ágnes Csoma
Zoltán Fekete
Nikoletta Reinhardt
cellos
György Kertész
Kousay Mahdi
double bass
Csaba Sipos
flute/recorder
Anneke Boeke
oboe
Michael Antonello
bassoon
Andrea Bressan
continuous
Dóra Pétery
___
Georg Friedrich Händel
Concerto Grosso Op. 6 No. 11 in A major
Andante larghetto, and staccato
Cheerful
Largo, and staccato
Andante
Cheerful
from That Fatal Day (Loving Delirium), HWV 99
Cantata for soprano, orchestra and basso continuo
Please be advised that dates and times may be subject to change.
See www.festivaldispoleto.com for updates.
From the great clock of time echo the sleepy chimes of a Concerto grosso. Hieratic, it begins in larghetto and staccato. Thus the myth makes its entrance among us, showing its polyphonic faces.
But here pirouette the supple, iridescent zirlii of the oboe, flute and violins swiftly peeking out here and there, ribalding with the soaring swells of the soprano's adamantine voice. On the stage of a troubled relationship, there is a nymph pining for a handsome shepherd, until to when the palpable echo of a longed-for happiness dissipates in the winds of disillusionment. Clori's decorating gaze renders the full flavor with incisive dramatic effectiveness and expressive force, in the meticulous dosage of bewitching notes distributed on the stave from a young Händel. That genial Saxon who had arrived from little to Rome, surrounded by the affectionate attentions of complacent patrons.
Text by Attilio Cantore
Iván Fischer realized his dream when he founded the Budapest Festival Orchestra in 1983 together to Zoltán Kocsis. Thanks to its innovative approach to music and the unstinting dedication of its musicians, the BFO has become the youngest ensemble to enter the top ten symphony orchestras in the world. In addition to to Budapest, the orchestra regularly performs at some of the most important concert venues on the international music scene and is also featured on international streaming platforms. Since its inception, the BFO has been awarded from "Gramophone," the prestigious British music magazine, three times: in 1998 and 2007, the magazine's jury awarded the BFO the prize for the best recording, while in 2022, thanks to public votes, it was named Orchestra of the Year. The BFO's most important achievements are related to Mahler: the recording of Symphony No. 1 was nominated for a Grammy Award. In addition to its recording successes and acclaimed tours, the BFO has also become known to internationally through a series of particularly original concerts. The Autism-friendly Cocoa Concerts, Surprise Concerts - also appreciated at the London Proms -, music marathons, youth-oriented Midnight Music performances, outdoor concerts to Budapest, free Community Weeks, and the Bridging Europe Festival, organized in cooperation with Müpa Budapest - are all unique events to their own way. Another unique feature of the Orchestra is that its members regularly sing during concerts. Each year the BFO, in cooperation with the Iván Fischer Opera Company, Müpa Budapest, the Vicenza Opera Festival and Festival dei Due Mondi in Spoleto, stages an opera production. Performances have been invited to New York's Mostly Mozart Festival, the Edinburgh International Festival and Hamburg's Elbphilharmonie; in 2013, The Marriage of Figaro topped New York Magazine's ranking of the year's best classical music events. The Vicenza Opera Festival, founded from Iván Fischer, debuted in fall 2018 at the Teatro Olimpico.
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