CINEMA E PSICOANALISI

to edited by **Claudia Spadazzi **and **Elisabetta Marchiori **.

with the support of **IPD Italian PsychoanalyticDialogues**.

Under the auspices of the **SPI Italian Psychoanalytic Society**.

OfANICA Associazione Naz. Cinematographic Audiovisual Multimedia Industries Association

and the Association ofItalian Documentary Filmmakers

program

at 10.00

Visage Village

by Agnès Varda (2018, France, 90')

at 11.30-12.00

Presentation of the book The Invention of the Real

by Dario Zonta (Contrasto, 2017).

Discussing with the audience are author Dario Zonta (film critic) and **Elisabetta Marchiori **(Italian Psychoanalytic Society).

at 12.00-13.30

round table

The invention of the real between subjective perception, memory and narrative

moderator **Claudia Spadazzi **(Italian Psychoanalytic Society)

Speakers: Graziella Bildesheim (audiovisual industry expert), **Terry Bruno (psychoneurolinguist), Paolo Conti **(journalist, Corriere della Sera), Giorgio Mattana (Italian Psychoanalytic Society ), Anna Migliozzi (Italian Psychoanalytic Society), Dario Zonta.

at 15.30

Moravian Off

by Luca Lancise (2017, Italy, 75')

After the screening, director Luca Lancise talks with the audience, Luisa Cerqua (Italian Psychoanalytic Society) and Dario Zonta.

at 17.30

The lucid madness of Marco Ferreri

by Anselma Dall'Olio (2017, Italy, 77')

After the screening, director Anselma Dall'Olio talks with the audience, Nicoletta Ercole (producer), Manuela Fraire (Italian Psychoanalytic Society).

at 20.30

Chuck Norris vs Communism

By **Ilinca Calugareanu **

(2015, Romania- GB), 78')

After the screening, director Ilinca Calugareanu talks with the audience, Alberto Angelini (Italian Psychoanalytic Society) and **Laura Manu **(psychotherapist, Great Britain, Romania).

The 6th Review of Cinema and Psychoanalysis presents a day/event dedicated to biographical documentary as an artistic expression: a creative dialogue between different aspects of the functioning of the mind and deep dynamics of the psyche.

The narration of other people's lives and one's own, both in cinema and in psychoanalysis, brings into play elements of objective reality, subjective truth, interpretation, and memory to various levels, as neuroscience also shows. Documentary cinema, in recent years, has created high-level works in search of an inner truth, the essence of a character or person, the synthesis of an existence, in the hybridization of reality and fiction. The real is inevitably manipulated as a matter in the relationship between the director and the subject of the narrative. A biographical film reconstructs a life through the director's subjective gaze, exposing to the audience a portrait that becomes a mirror in which to reflect oneself, a story in which to trace memories and parts of oneself.