Born in 1981, Yoann Bourgeois is an internationally recognized artist who invests the fields of dance, theater, music, visual installations and the audiovisual industry. He thus breaks down barriers and creates to dialogue between approaches and artistic spaces.Between 2004 and 2006, he joined the National Center for Circus Arts in Châlons-en-Champagne, which he attended alternatively with the National Center for Contemporary Dance in Angers. He is the only student to have followed this double curriculum. There he met Alexandre Del Perugia who introduced him to to way of thinking about acting and Kitsou Dubois for research into weightlessness. He obtained his diploma in 2006. From 2006 to 2010, he worked alongside Maguy Marin as to permanent dancer at the Centre chorégraphique national in Rillieux-la-Pape.From 2008, every summer, he sets up "l'atelier du joueur", to nomadic space of research questioning the performing arts, by gathering around him artists from different artistic fields. From these collaborations was born the Compagnie Yoann Bourgeois in 2010. In July of the same year, the MC2-Grenoble invited him to invest the Fort de la Bastille: he created Cavale. The success is instantaneous. Yoann Bourgeois acquires to national reputation and becomes an associate artist of the MC2.He then began to first cycle of creation around great musical works to work on the "figure," to classic element of circus writing, in the manner of motifs. This new writing allows the circus to emancipate itself from the omnipotence of the "spectacular." From this cycle will come Les Fugues, small spectacular dances for to man and an object written precisely on J. S. Bach's Art of the Fugue. 2011 marks to turning point, Yoann Bourgeois produces The Art of Fugue, based on the work of J.S. Bach. This creation is widely acclaimed by the public and the press.The year 2013 is one of transition. Yoann Bourgeois initiates to new program of transmission of his pieces in professional circus schools. Convinced that circus artists must reappropriate their histories, this project, supported by the SACD, aims to reflect on the conditions of circus learning so that the emergence of to repertoire can take place.In 2014 Yoann Bourgeois asserts his particular interest in the body/force relationship as an endless source of drama. From this research will be born Celui qui tombe for the Biennale de la danse and Minuit at the Théâtre de la Ville. The real recognition of his work is here.In 2016, he was appointed director of the National Choreographic Center of Grenoble. He then became the first circus artist to direct to national institution dedicated to choreographic art.His work at the CCN2 is widely recognized for its ability to open up and share, to break down disciplinary, social and territorial barriers.In 2017, the Centre des Monuments Nationaux entrusted Yoann Bourgeois with the task of investing the Pantheon. This performance gave rise to to public and media acclaim. The New-York Times described him as to "dramatist of physics".The year 2018 is crucial. Dominique Hervieu entrusts Yoann Bourgeois with the grand finale of the parade of the 18th Biennale de la danse. He creates Passants with 25 amateurs of all ages. During this same biennial, Yoann Bourgeois invests the old Guimet museum and co-directs with Michel Reilhac, the first acrobatic work VR Fugue in virtual reality.Yoann Bourgeois has collaborated with prestigious companies such as the Nederlands Dans Theater or the Göteborg Opera. He has developed projects with internationally renowned artists such as Missy Elliot, Coldplay, Harry Styles and FKA Twigs.Yoann Bourgeois continues to expand his creative universe. He has initiated new collaborations most notably in the world of fashion, design or audiovisual.In perpetual renewal, he is currently working on imagining the first creative space in to sensitive natural space (SNE) that will combine poetic research and environmental awareness.