LETTER TO A MAN
Robert Wilson
Mikhail Baryshnikov
The show, featuring Mikhail Baryshnikov and Robert Wilson together again, in their second artistic collaboration after the success of The Old Woman, takes its start from the _Diaries _of Vaslav Nijinsky, written in 1919 from the man who is considered the greatest dancer and choreographer of the last century, the origin of the fame of Sergei Diaghilev's Ballets Russes.
"Nijinsky's Diary says a lot about writing. It is the writing of a lucid and insane man. It is a communication so naked, so desperate from to be unique. Reality is in front of us, and it is almost intolerable. If he had not ended up in an asylum...we would have had in Nijinsky a writer comparable to the dancer," wrote Henry Miller to about the _Diaries _first published in 1936.
Letter to to man is a'opera play interpreted from Mikhail Baryshnikov, which relives and reveals the great choreographer's fragmented mind along his descent into madness. As is always the case in Wilson's works, the movements, text, lights, space and music are equal parts of the same poetic composition, in which, as he himself states, "all theater is dance."
direction, scene conception and lighting Robert Wilson
with Mikhail Baryshnikov
taken from the Diaries of Vaslav Nijinsky
text by Christian Dumais-Lvowski
dramaturgy Darryl Pinckney
music Hal Willner
costumes and makeup Jacques Reynaud
movement collaboration and voice acting Lucinda Childs
light designer to.J. Weissbard
set design collaborator Annick Lavallée-Benny
assistant director Nicola Panzer
sound designer Nick Sagar / Ella Wahlström
video designer Tomek Jeziorski
assistant director Fani Sarantari
stage director Thaiz Bozano
director of fittings Mauro Farina
technical director **Chris McKee **
lighting supervision Marcello Lumaca
makeup artist Natalia Leniartek
production delegate Simona Fremder
scenic elements Scenic and painting workshop of the Spoleto Festival of 2Mondi
a project of Change Performing Arts and Baryshnikov Productions
commissioned from** Spoleto Festival dei 2Mondi**, BAM for the 2016 Next Wave Festival, Cal Performances University of California Berkeley,** Center for the Art of Performance at UCLA**
In collaboration with Teatros del Canal Madrid, Les Ballets de Monte-Carlo/Monaco Dance Forum
executive production CRT Milan
special thanks to The Vaslav and Romola Nijinsky Estate, Giorgio Armani for Mikhail Baryshnikov's clothes, 'Asylum' courtesy James Casebere and Lisson Gallery
performance in English and Russian with Italian subtitles to curated by Prescott Studio, Florence
E.T.C. light adjustment. Italy www.etcconnect.com
Born to Riga, Latvia, in 1948, Mikhail Baryshnikov is considered one of the greatest dancers of our time. After starting to a grand career as a Kirov Ballet étoile to San Pietroburgo , he moved to the West in 1974, settling to New York City as a principal dancer with the American Ballet Theatre (ABT). In 1979 he joined the New York City Ballet, where he worked with George Balanchine and Jerome Robbins. In 1980 and for the next ten years he was artistic director of the American Ballet Theatre, which raised a new generation of dancers and choreographers in its ranks. From 1990 to 2002, Baryshnikov was director and dancer of the White Oak Dance Project, which he co-founded with choreographer Mark Morris with the goal of expanding and repertoire and giving greater visibility to American modern dance. His dancing career has also been complemented by his acting career, to Broadway has starred in Metamorphosis (Tony Award nomination and Drama Desk Award winner), among others; in film Two Lives and a Turning Point (for which he earned an Academy Award nomination); and he has taken part in to numerous television productions. Other productions include Forbidden Christmas or The Doctor and the Patient, Beckett Shorts, In Paris, Man in to Case, and The Old Woman. He is currently working to two solo plays, Letter to to Man with Robert Wilson and _Brodsky/Baryshnikov _with Alvis Hermanis. In 2005 he opened the Baryshinkov Arts Center (BAC), a creative space for local and international artists to develop and present their work. Under his leadership as artistic director, BAC's programs involve about 700 artists and more than 22,000 audiences each year. Among the many awards given to Baryshnikov are the Kennedy Center Honors, the National Medal of Honor, the Commonwealth Award, the Chubb Fellowship, the Jerome Robbins Award and the 2012 Vilcek Award. In 2010 he was awarded the rank of Officer of the French Legion of Honor.
Born to Waco, Texas, Robert Wilson is among the world's leading visual and theatrical artists. His work uses a variety of artistic techniques, masterfully integrating movement, dance, painting, light, design, sculpture, music and dramaturgy. After studying at the University of Texas and the Pratt Institute in Brooklyn, in the mid-1960s, Wilson founded to New York the art collective "The Byrd Hoffman School of Byrds" with which he developed his first original shows, Deafman Glance - The Gaze of the Deaf (1970) and _A Letter for Queen Victoria _(1974 -1975). In 1976 he signed with Philip Glass Einstein on the Beach, a performance that changed the conventional conception ofopera as an artistic form. Over the years he has forged collaborations with such authors and musicians as Heiner Müller, Tom Waits, Susan Sontag, Laurie Anderson, William Burroughs, Lou Reed, and Jessye Norman. Wilson's drawings, paintings and sculptures have been shown in hundreds of group and solo exhibitions, and are part of private collections and museums worldwide. He has received numerous awards and honors, including a Pulitzer Prize nomination, two Ubu Prizes, the Golden Lion for Sculpture at the Venice Biennale, and the Laurence Olivier Award. He has been appointed to the American Academy of Arts and Letters and Commandeur des arts et des lettres in France. Wilson is the founder and artistic director of the Watermill Center, a creative laboratory dedicated to the arts, based at to Watermill, Long Island.