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BEETHOVEN E DINTORNI
CONCERTI DELLA SERA
_"Freedom and progress are the goal of art as, for that matter, of life itself." _
from a letter from Beethoven to Archduke Rudolf
Building on the critical and public success of the 2013 editions, with Debussy and Surroundings, and 2014, with Chopin and Surroundings, this year the Festival dedicates to Beethoven twenty appointments that unite, under a single thread, the historic Midday Concerts, in the Church of St. Euphemia, to the evening ones in the Cloister of San Nicolò. The centerpiece of the project is Beethoven, around whom are composers of the time who were somewhat overshadowed by his gigantic figure, but who have now become the subject of renewed interest in order to better understand and delve into the cultural humus in which the personality of one of the greatest composers in history came to to be delineated.
Starting from Beethoven, the listener follows a path ranging from Hummel, Clementi and Moscheles to to virtually unknown composers, such as Ferdinand Ries, his pupil and secretary, Carl Czerny, a faithful pupil, Friedrich Kuhlau, an early performer, and Cherubini, whom Beethoven esteemed most of all among his contemporaries.
By Beethoven, in addition to the complete Piano Sonatas and the most famous piano pages, little-visited compositions such as the Sonata for Piano and Horn, the 9 Contradances WoO 14 and Wo15, the Fantasia op.77 and unknown pieces such as the Prelude in F minor Wo55, the Allegretto in C minor Wo53, and the Bagatelle in C minor WoO52 are performed to outline the personality of a different Beethoven from the somewhat conventional one of "music titan."
Pianists Andrea Bacchetti, Maurizio Baglini, Sandro De Palma, Ivan Donchev, Jean Baptiste Fonlupt, Pavel Kašpar, Francesco Libetta
cello **Silvia Chiesa **
clarinet **Francesco Belli **
oboe **Paolo Di Cioccio **
bassoon** Marco Dionette **
horn **Andrea Puccetti **
to edited by Sandro De Palma
In collaboration with the International Festival "Piano aux Jacobins" of Toulouse and theCzech Cultural Institute of Milan
pianos Angelo Fabbrini
program
Monday, June 29
Francesco Libetta pianist
Ludwig van Beethoven (1770-1827)
Sonata in F major, Op. 54
In time of a Menuetto
Allegretto - More allegro
Sonata in C minor Op. 13 (Pathetic)
Grave - Allegro di molto e con brio
Adagio cantabile
Rondo. Allegro
Sonata in A-flat major Op. 110
Moderato cantabile very expressive
Allegro molto
Adagio but not too much
Fugue. Allegro ma non troppo
Tuesday, June 30
**Jean Baptiste Fonlupt **pianist.
**Muzio Clementi **(1752-1832)
Capriccio No. 1 Op. 17
Ludwig van Beethoven (1770-1827)
Sonata in E-flat major Op. 7
_Allegro molto e con brio _
Largo, with great expression
Cheerful
Rondo. Poco allegretto and graceful
Sonata in E-flat major Op. 81/to "Les Adieux"
Das Lebewohl ( The Farewell) Adagio - Allegro
Abwesenheit (The Absence) Andante espressivo
Das Wiedersehen (The Revisiting) Lively
Wednesday, July 1
Jean Baptiste Fonlupt pianist
Ludwig van Beethoven (1770-1827)
Sonata in A major Op. 101
_Etwas lebhaft und mit der innigsten Empfindung. (Allegretto ma non troppo) _
_Lebhaft. Marschmässig. (Lively to the March) _
Langsam und sehnsuchtvoll. (Adagio, but not too much, with affection)
Geschwinde, doch nicht zu sehr, und mit Entschlossenheit. (Allegro)
Sonata in C minor Op. 111
_Maestoso - Allegro con brio ed appassionato _
_Arietta. Adagio very simple and singable _
Thursday 2 July
**Ivan Donchev **pianist
Ludwig van Beethoven (1770-1827)
Thirty-three Variations in C major Op. 120
above a "Waltz" by Diabelli
Tuesday 7 July
Sandro De Palma piano
**Andrea Puccetti **horn,
Paolo Di Cioccio oboe
**Francesco Belli **clarinet,
**Marco Dionette **bassoon
Ludwig van Beethoven (1770-1827)
Sonata in F major Op. 17 for piano and horn
_Allegro moderato _
Poco Adagio, quasi Andante - Rondo. Allegro moderato
Sonata "almost a Fantasia" for piano in C-sharp minor Op. 27 No. 2 _ [Moonlight] _
Adagio supported
Allegretto
Soon agitated
Quintet in E-flat major Op. 16 for piano, oboe, clarinet, horn and bassoon
_Grave - Allegro ma non troppo _
Andante cantabile
_Rondo. Allegro ma non troppo _
Wednesday 8 July
**Maurizio Baglini **pianoforte
**Silvia Chiesa **violoncello
Ferdinand Ries (1784 -1838 )
Introduction and Russian Air Op. 113 No. 1
Ludwig van Beethoven (1770-1827 )
Twelve Variations in F major Op. 66 on the theme of the aria _"Ein Mädchen oder Weibchen" _from Mozart's _The Magic Flute_.
Sonata in A major Op. 69
Cheerful, but not so much
Scherzo. Allegro molto
Adagio cantabile - Allegro vivace
friday 10 July
**Andrea Bacchetti **planner.
**Ludwig van Beethoven **(1770-1827)
Sonata in G minor Op. 49 No. 1
_Andante _
Rondo. Allegro
Sonata in G major Op. 49 No. 2
Cheerful but not too much
Menuetto time
**Luigi Cherubini **(1760-1842 )
Sonata No. 4 in G major
Moderate
Rondo. Andantino
Ludwig van Beethoven (1770-1827 )
Sonata in E major Op. 14 No. 1
Cheerful
_Allegretto _
Rondo. Allegro comodo
Sonata in D major Op. 10 No. 3
Soon
Wide and mesto
_Menuetto. Allegro _
Rondo. Allegro
Saturday 11 July
**Pavel Kašpar **pianist
Franz Joseph Haydn (1732 -1809)
Andante with Two Variations and Coda
In F minor - major Hob. XVII, 6
Ludwig van Beethoven (1770-1827)
Sonata in E-flat major Op. 31 No. 3
Cheerful
Scherzo. Allegretto vivace
_Menuetto. Moderato and graceful _
Soon with fire
Sonata in C major Op. 53 (Waldstein /Aurora)
Allegro con brio
Introduction - Adagio very
Rondo. Allegretto moderato - Prestissimo
Born in 1977, he debuted to 11 years old with I Solisti Veneti conducted from Claudio Scimone; he plays in numerous international festivals including Lucerne, Salzburg, Belgrade, Santander, Toulouse (Piano aux Jacobins), Lugano, Sapporo (Pacific Music Festival), La Roque d'Anthéron (for Radio France), Warsaw (Beethoven Festival), Santiago de Compostela (Ciclo de Piano to. Brage), Camerino, Bologna, Brescia and Bergamo, Rome (Uto Ughi for Rome), Turin (Settembre Musica), Vicenza, Milan (MI.TO.), Sorrento, Como, La Coruña, Zamora, Pesaro, Palermo, Bellinzona, Sermoneta, Spoleto, Ravenna, Ravello, Cervo, Sagra Musicale Malatestiana (Rimini), Sagra Musicale Umbra (Perugia), Emilia Romagna, Valcerrina, Paris (La Serre d'Auteil), Bad Wörishofen, Husum.
In Italy he is a regular guest of the most important concert-orchestral institutions and associations: Teatro alla Scala, Sala Verdi for Serate Musicali, Auditorium Cariplo, (Milan); Associazione Scarlatti (Naples); Amici della Musica (Palermo); Università La Sapienza, Accademia Filarmonica, Parco della Musica, Palazzo del Quirinale (Rome); Unione Musicale (Turin); G.O.G. and Teatro Carlo Felice (Genoa); Teatro La Fenice (Venice), etc. Among his international discography are from mention of the Decca CD "Berio Piano Works" recorded under the composer's guidance; the Arthaus DVD with Bach's Goldberg Variations; for RCA Red Seal he has recorded the SACD with Cherubini's "6 Sonatas" and CDs dedicated to the Sonatas of Galuppi, Marcello and Scarlatti (the latter CD, "The Scarlatti Manuscript Restored," won the 2014 International Classical Music Award in the Baroque Instrumental category); "The French Suites" and "The Italian Bach" for Sony Music, both CDs of the month in the Japanese magazine Record Geijutsu. For Dynamic he has recorded numerous Bach compositions: the Inventions & Symphonies (CD of the month in BBC Music Magazine), the Toccatas and a new version of the Goldberg Variations, as well as several Mozart concertos with the Orchestra of Padua and Veneto. These recordings have all received numerous awards from leading international specialist magazines and from some of the most prestigious newspapers to worldwide such as the Observer, the Guardian and El Pais.
He is among the brightest musicians on the international scene. Winner to twenty-four years of the World Music Piano Master in Monte Carlo, he has to his credit an intense career in Europe, America and Asia: more than 1200 concerts as a soloist and 1000 of from chamber music in prestigious venues such as Salle Gaveau in Paris, Victoria Hall in Geneva, Kennedy Center in Washington. Solo recordings: Liszt, Schumann, Scarlatti; in duo with Silvia Chiesa (cello): Brahms and Schubert. He is artistic director of the Amiata Piano Festival and the French from chamber festival Les musiques de Montcaud. Since 2013, he has been a consultant to the Verdi Municipal Theater in Pordenone for music and dance.
A conductor and clarinetist, he began his musical studies at a very young age with his maternal grandfather, completing them at the conservatory under the guidance of Maestros Daniele Paris and Luigi Neroni. Graduating with honors, he specialized with clarinetist Karl Leister and, for conducting, with Maestros Franco Ferrara and Nicola Samale. Fundamental to his career was his meeting with the great maestro Sergiu Celibidache. Winner of several international competitions, he carries out an intense artistic activity that leads him to appear in major institutions all over the world (RAI; Teatro dell'Opera in Rome; Roma Europa Festival; Nuova Consonanza; Arts Academy; International Chamber Ensemble; Festival Mozart di Rovereto; Campus Internazionale di Musica; Festival dei Due Mondi; Orchestra Goffredo Petrassi; Orchestra Sinfonica Siciliana; Orchestra Sinfonica di San Remo; Orchestra del Friuli Venezia Giulia; Orchestra della Radio di Sofia; Teatro Municipale di Sao Paulo; Orchestra Sinfonietta of Paris; Symphony Orchestra of Venezuela; National Symphony Orchestra of Cuba; Orchestra of EAFIT University of Medellin; National Orchestra of Ecuador; Teatro Colon of Buenos Aires; Teatro Bellas Artes of Mexico City; Royal Conservatory Of Music of Toronto; Los Angeles County Museum of Art; Popayan Sacred Music Festival; Detroit Simphony Orchestra; Bogota Philharmonic Orchestra, Open City Orchestra, Guanajuato Symphony Orchestra, I Solisti de la Habana, Camerata Ensemble of Portugal, ect.). He has recorded for RAI, Vatican Radio, Cleveland Radio, TV Globo (Brazil) Senal Colombia, Cubavision and recorded for RCA, BMG, Bongiovanni, Arcadia, Forum, Rai Trade, ect. He is a lecturer at the Conservatory of Latina.