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I CLASSICI DEL CINEMA:
INTRECCI TRA IMMAGINI E PSICOANALISI
Italo Calvino's proposed definitions of "classicism" referring to literature can undoubtedly also attach to films, as well as to some theoretical foundations of Psychoanalysis. When can a film be considered a "classic"? The screening of restored works that have made film history and are from always the subject of attention from by psychoanalysis is an opportunity to see/review and discuss classic films "that never finished showing what they have from shown."
The anthropological revolution brought about by the evolution of digital technology obliges to to pay special attention and care to preserve, even in mutation, works of art whose restorations enhance their contemporaneity. The viewing of such films or their re-viewing thus becomes a prism through which to reverberate multiple perspectives: in preserving, theopera of art and humanity, cinema and psychoanalysis, their own characteristics of immutability and foundational bases, involved in change with other and new vitality.
The films in the review will be introduced by the curators and discussed with the audience, with psychoanalysts and film experts intervening to grasp the interweavings between different forms of thinking and reading, between the images projected on the screen and the dynamics of the unconscious.
to curated by Claudia Spadazzi and Elisabetta Marchiori
In collaboration with the **Cinéma Sala Pegasus **and **Graziella Bildesheim **.
program
at 10.30
Introduction to the review, "Classics of Cinema, Classics of Psychoanalysis"
**Elisabetta Marchiori **and Claudia Spadazzi, SPI (Italian Psychoanalytic Society) psychoanalysts.
at 11.00
"Bicycle Thieves" by Vittorio De Sica (Italy, 1948, 88')
conversing with the audience:
Mario Sesti, film critic and journalist
Paolo Boccara, SPI psychoanalyst
chair **Elisabetta Marchiori **
at 16.00
"Jules and Jim" by François Truffaut (France, 1961, 106')
conversing with the audience:
Fabio Ferzetti, film critic and journalist
Manuela Fraire, SPI psychoanalyst
chair Claudia Spadazzi
at 18.30
"The Birds" by Alfred Hitchcock (USA, 1963, 119')
conversing with the audience:
Roberto Lazzerini, film expert
Giuseppe Riefolo, SPI psychoanalyst
chair Graziella Bildesheim, audiovisual industry expert
