MOSTRE DI PALAZZO COLLICOLA ARTI VISIVE

JULIEN FRIEDLER

Retro Boz. Works from 1998 to 2016

to edited by Dominique Stella and Gianluca Marziani

Julien Friedler is a singular character. His literary past, his training as a psychoanalyst, his love of philosophy that led him to write various erudite works, his taste for travel and encounters with distant realities have built the basis of a labyrinthine project - the theme of the labyrinth is very dear to him - of which one of the emblematic forms is realized through the codes of the visual arts. Paintings, sculptures, and installations are the spokesmen of a filled imaginary and constitute the signs of a mythical truth that the artist develops through truly personal themes.

Through September 25, 2016

NICOLA PUCCI

Vertigoland

to edited by Gianluca Marziani

Nicola Pucci: "I observe behavior, I am interested in the causes that generate effects, especially on living beings. Observation gives rise to a new interpretation of reality in which the possible and the improbable are mixed. Movement becomes an essential element, focused in its during, and is pure suspension of a gesture..." The artist distributes his painting among the furnished rooms of the Piano Nobile, expanding the narrative quality of his mental journeys, recreating figurative vertigoes that suck the gaze into the filmic vortex of individual stories. A perfect harmony between the physical space and the narrated places.

Through September 25, 2016

PIERPAOLO CURTI

White Corner

to edited by Gianluca Marziani

in collaboration with Mudima Foundation

The mental dimension of the contemporary landscape, emptiness and solitude as perceptible conditions of being. Pierpaolo Curti narrates places without human presence, monolithic architectures and smooth spaces that recreate a new metaphysics of electronic inspiration. Painting becomes the supporting structure of scenic silence, an archetype of vertigo, of the mystery beyond the threshold, of the meditative beauty that welcomes the nomadic gaze.

Through September 25, 2016

OASIS COLLICOLA

The inner courtyard of Palazzo Collicola Visual Arts is transformed into a park with free admission, dotted from with highly interactive sculptures and calibrated irony. Starting from "Octetra" by Isamu Noguchi, inserted on the perspective line of the entrance, Oasi Collicola develops a plastic landscape with which to establish a literally physical contact, exploiting the playful potential and thematic multiplicity of each sculpture. Works by MARCELLO MAUGERI, MATTEO PERETTI, MARCO PIERSANTI, MOLINO & LUCIDI, VERONICA MONTANINO, ALBERTO DI FABIO, VINCENZO PENNACCHI...

DONATO PICCOLO

**Butterfly Effect **(Opera Celibe #3)

to edited by** Isabella Indolfi**

in collaboration with** Bibo's Place**

Former Church SS John and Paul

In the sacred silence, imperceptible sound is amplified and the depth of space and time is measured. Starting from the beating of a butterfly's wings on the drum, a modular sculpture takes shape, a kind of giant still that penetrates the church in its entirety, carrying the sound to the apse, to finally marry with the place.

With the participation of the Umbra School of Philosophical Counseling and Associations Saffron of Umbria.

Opening June 25 at 7 p.m. - Through July 10, 2016 (3:30 to 9 p.m.) - Free admission

ELIO CASALINO

Onirikon

to edited by Gianluca Marziani

Casa Romana (Collicola Satellite)

Casalino's painting is a dramaturgical journey into the wounded body, the archetypes of pain, and the atavistic fears of humanity. The works are set up in an "archaeological-sounding" combination, with the paintings capturing that spirit of place that only memory reproduces. Women, faces, masks and collective rites in which figurative atmospheres pulsate like moral fires from living matter.

Through September 25, 2016