Turn your Smartphone
(or widen your browser window)
Turn your Smartphone
(or enlarge your browser window)
Logo new website Molteni Paints
61

BANDA MUSICALE

DELL’AERONAUTICA MILITARE

from
Monday
2
July
2018
at
10:02
from
2018
at
to
at
from
2018
at
from
2018
at
from
2018
at
from
2018
at
Special Projects

Synopsis

director M° Patrizio Esposito

D. Sciostakovic Festive Overture op.96

M. Ellerby Clarinet Concerto*

clarinet soloist Fabrizio Nori

M. Ellerby Paris Sketches*

Saint Germain de Prés - Pigalle - Pére Lachaise

M. Markovsky Instinctive Travels*

G. Rossini L'Italiana in Algeri - Overture

**G.Rossini **Guglielmo Tell - Overture

*thanks to M° Marcello Candela for valuable cooperation on the piano

Dmitri Sciostakovich

Festive Overture op.96

Sostakovic wrote theFestive Overture in honor of the thirtieth anniversary of the October Revolution in 1947, completing its composition in 1954. The premiere performance took place on the thirty-seventh anniversary of the October Revolution on November 6, 1954 at the Bol´soj Theater in Moscow, with Aleksandr Melik-Pasa´ev on the podium. The_Festive Overture_ opens with the brass fanfare(Allegretto) which is followed, always vigorous in its large sound volume, by the Presto in the alternating interventions of the strings and woodwinds. The horn and cello solo exposes a larger theme that is elaborated and then taken up by the entire orchestra. Just before the conclusion another brass band joins the vast instrumental ensemble, increasing its clangor with masculine authority in the Coda. An impressive work, thisopera celebrated to Moscow in 1980 the XXII Olympic Games.

**Martin Ellerby

Clarinet Concerto

After a series of compositions for solo instrument, Ellerby finally wrote an entire clarinet concerto dedicated to Linda Merrick who premiered it on Dec. 3, 2000 at Gateways Performing Arts Centre in Harewood. The concerto consists of three movements with the classic allegro, calmo, rondo alternation. The second half presents more than one moment in which the soloist has the opportunity to highlight himself with free cadenzas, the first half is a tribute to American minimalism, and the final movement is affected by jazz influences making an interesting journey into the language of our times led by the soloist´s skill.

Martin Ellerby

Paris Sketches

"This work is my personal tribute to a city I love, and each movement considers a part of the city, referring to composers who have lived, worked or simply passed from there..."

These are Ellerby's words introducing this work divided into 4 sections each named after a Parisian neighborhood, and so here is Saint-Germain-de-Près followed from Pigalle, then Père Lachaise and finally Les Halles. And here these places are inhabited from echoes of works by musicians associated with them because they precisely lived or worked in one of these places and so we meet Ravel, Strawinsky- Prokofiev, Satie and finally Berlioz. A portrait of the Paris that made and still makes so many people dream because of its vitality and irresistible charm.

**Michael Markowski **

Instinctive Travels

Composer of music for film and symphonic, for orchestra, for band, and for groups from chamber. He came to public attention so young, winning prestigious awards including the Frank Ticheli Composition Contest. His composition Instinctive Travels, is a brilliant excursion through an exciting sense of rhythm and a kaleidoscopic use of orchestra colors. His music is crisscrossed from different influences ranging from musicals to hip hop, an example of a generation that allows itself to be fearlessly contaminated, Markowski returns fresh and energetic music with wholly original results.

Joachim Rossini

L'Italiana in Algeri - Overture

First performed to Venice in 1813, L' Italiana in Algeri was composed in a prodigiously short time, apparently twenty-seven days, and with that ingenious mastery, typical of Rossini, thanks to which the farce was treated with such paradoxical virtuosity and such enthralling comic realism from represent a charge of vitality for the 'opera Italian comic that was now betraying signs of fatigue. The symphony of this'opera constitutes its worthy musical preamble by offering us, after a pleasant initial andante, a sprightly and scherzoso allegro from the listening, not even to say it being Rossini, very pleasant.

Joachim Rossini

William Tell - Overture

Performed in 1829, William Tell is the composer's last theatrical work. The flamboyant and colorful symphony, one of Rossini's best-known compositions, is divided into four parts that include: an andante, an allegro that recalls the raging storm with remarkable effectiveness, a new andante and finally, heralded from ringing fanfares, an overwhelming finale.

Credits

Program

Dates & Tickets

TICKETING INFO
Mon
02
Jul
2018
at
10:02
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
at
Teatro Romano
Event Times
June 28
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
June 29
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
June 30
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
01 July
10:00
11:00
12:00
13:15
14:15
15:30
16:30
17:45
20:30
21:30
02 July
10:00
11:00
12:00
13:15
14:15
17:30
18:30
19:45
20:45
21:45
04 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
05 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
06 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
07 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
08 July
10:00
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
20:45
21:45
09 July
10:00
11:00
12:00
13:00
14:15
17:30
18:30
19:45
20:45
21:45

Playlist

Images

No items found.

Images

No items found.

Video

No items found.

Biographies

BANDA DELL’AERONAUTICA MILITARE ITALIANA

The Air Force Musical Band, was established by ministerial decree on July 1, 1937 and was held to baptism by Maestro Pietro Mascagni, in whose presence the first concert was performed. It from then had its headquarters at the Command of the 2nd R.to. in Rome. Until 1995, when it came under the disciplinary and administrative dependencies of COMAER, while for employment it depends on the S.M.to. V Department. The Band consists of from excellent professionals, graduates of Italian conservatories. All personnel who are part of it, enter the Band by public competition and are in Permanent Effective Service. The repertoire includes many pieces by composers ranging from the 1600s to the present day, including Bach, Rossini, Verdi, Bellini, Wagner, Gershwin, Hindemith, Schoenberg, etc. From 1937 to the present, the Band has carried out intense activity by touring all over the world playing in the most important theaters, always winning the favor of critics and audiences. Among others, concerts held to New York (Juilliard School), Buenos Aires (Coliseum Theater), S. Paolo del Brasile and Rio De Janeiro (theaters d'opera), Chicago (theater d'opera), Hamburg (Musikhalle), Munich (theater d'opera), Sleswig-Holstein Musik Festival, Berlin (Staatsoper), Leipzig (Gewandhaus), Luxembourg (conservatory), Ankara (opera theater ), Ravenna festival (Alighieri theater), Settembre Musica Festival (Turin), Rome Europa festival, Nuova Consonanza, International Wind Festival, Teatro dell'Opera in Rome, S. Carlo in Naples, Teatro alla Scala in Milan and also Belgium, France, Holland, Denmark, Sweden, Bulgaria, Turkey, Spain, etc. In addition to concerts, the Band performs its institutional duties, which can be summarized as follows: honor service at the Quirinale Palace in alternation with other military bands; participation in the most significant ceremonies of the Armed Force. Since 1992 the Band has been conducted by M° Lt. Col. Patrizio Esposito.

PATRIZIO ESPOSITO

Born to Rome in 1960, he studied composition at the S. Cecilia Conservatory, graduating under M° M.Botolotti. Parallel to his studies at the conservatory, he took courses with to. Clementi and later with F. Donatoni, with whom he specialized at the Academy of S. Cecilia. He debuts to Milan in 1985 with the composition "the entertainment of the senses" on texts by W.Auden and develops from the beginning of his activity, a personal expressive, evocative - imaginative research, collaborating with visual artists, writers and actors. His compositions are performed in major Italian and foreign festivals such as: Zurich, Paris - Versailles, Cuba, Luxembourg, Sleshwig Holstein, Stockholm, Bergen, Madrid, Granada, Warsaw, Leipzig,Festival Ultrashall Berlin, Musik der Jarhundrte Stuttgart, III Mediterranean Contemporary Days Istanbul, Lucerne, St.Petersburg, Moscow, Settembre Musica, Festival Roma Europa, Festival delle Nazioni, Bologna Festival, Accademia Filarmonica Romana, Nuova Consonanza, Coretto, RAI Nuova Musica, Season Orchestra Regionale del Lazio, Sinfonica Abruzzese, Sinfonica di Bari, Roma Sinfonietta, Teatro delle Muse Ancona, Regio di Parma, Civica di Milano, World Saxophone Festival, International Wind Festival, etc. from always flanking his compositional activity to that of performer, he in fact studied conducting with M° Donato Renzetti, founding the New Winds Ensemble in 1986. Since 1992 he has been M° Conductor of the Air Force Musical Band, with which he carries out an intense concert activity in Italy and abroad, promoting original wind music. He has taught History and Repertoire Analysis at the Conservatory to. Casella de l'Aquila. His compositions are published from EDIPAN, AGENDA and RAI TRADE, recorded for PAN, DYNAMIC and STRADIVARIUS and are regularly broadcast from Italian and foreign radio stations.

Press Review

No items found.

Related Events

No items found.

Events in the same Category

61

FULL PROGRAM
29
June
2018
Palazzo Comunale
6
July
2018
5
July
2018
Hotel Albornoz
9
July
2018
Teatro Romano