Victoria Abril began her career to seven years old with ballet and achieved popularity through the television contest Un, dos, très. In 1975 she changed her path with her participation in her first film Obsesion by Lara Polop followed in 1977 from Cambio de sexo, by Vicente Aranda, which further increased her prestige.Her direct and polemical character made her the perfect character for La muchacha de las bragas de oro, by Bigas Luna in 1979. from then, more than 100 films shot, most of them in Spain, but also appearances in productions in Italy, Portugal, Germany, Iceland, as well as the American experience, which she vowed not to renew ...She has received numerous awards in the international festivals of Berlin, San Sebastian, Durban, and Cartagena for films such as El Lute, Camina o revient (The Lute, Walk or Run), Amantes or Tacones lejanos (Heels to spillo), as well as a Goya as best actress for her performance in Nadie hablarà de nosotras cuando hayamos muerto.After having worked with directors such as Pedro Almodovar, Vicente Aranda, Agustin Diaz Yanes, Juan Antonio Bardem, Jaime Chavarri, Manuel Gutiérrez Aragón, José Luis Borau, Emilio Martinez Lazaro, Carlos Saura, or Peter Greenaway, her constant desire for experimentation made her land in the world of music with the 2005 release of Putcheros do Brasil, immediately recognized as a gold disc.

Today, the musical adventure of the iconoclastic Madrileña continues with a new album: Ô lala! where she revisits the repertoire of the great French song (Brassens, Nougaro, Vian, Ferré, Trenet, Barbara ...) rhythmic with cajons and flamenco guitar.Songs of love and enigma, in French language and with flamenco structure; Iberian color notes in harmony with French depth, Andalusia as a Parisian neighborhood succeeds to shaking souls, transmitting to the audience the beauty and passion that characterize Africa.