artistic direction Gianluca Marziani

SALVATORE EMBLEMA "NudaLuce"

to edited by Gianluca Marziani

In collaboration with **Emblem Museum**.

An anthological journey into the painting of Salvatore Emblema (1929-2006), an artist from Campania beloved from Giulio Carlo Argan and Palma Bucarelli, known for his consistent use of raw canvas and natural pigments, recreated in a deep filial relationship with the power of the Vesuvian landscape. An artist who intuited new relationships between the painting, spaces and the modulable value of light.

EMANUELE GIANNELLI "To Lie or Not To Lie."

to curated by Gianluca Marziani and Anna Lo Presti

Italian sculpture returns to the halls of the Piano Nobile. Emanuele Giannelli, combining ancient techniques with the light materials of the present, recreates human anatomies between biological sciences, fantasy literature and social criticism. A Kubrickian short-circuit of strong scenic impact, imaginative and disorienting, shaped on the narrative measure of the place.

MATTEO PERETTI "The Irony of Knowledge."

to edited by Gianluca Marziani

Irony and social criticism, a double figure that the artist welds together, creating a linguistic short-circuit with a pop heart and conceptually complex outcomes. Peretti's sculptures and installations are the archeological drifts of the present, spectacular (and reworked) relics of a conflicted world, bordering between private virtues, intimate memories and collective vices.

ANDREA BOLDRINI "The Absence of the Pantocrator."

to edited by **Gianluca Marziani **and Andrea Barchiesi

Painting as a journey through suspended time, within surreal vertigoes that reformulate the notion of space and the open boundaries of the plausible. Boldrini builds cerebral visions, dense in their dreamlike buoyancy, sort of pictorial microfilms to redefine realistic margins and intuit new metaphorical thrusts. Paintings that open narrative openings in the figurative universes of the symbol.

CAMILLA FILIPPI "Psychedelic Breakfast"

to edited by Gianluca Marziani

An actress and her transformism for a haunting diary of daily portraits. Defining the fixed method of pictorial acting, Filippi evolves the soul of Instagram and redefines the roles between cinema and visual art. Dozens of characters, played during breakfast, sitting in the kitchen with a cup in hand. Portraits born for the web, grown in the unicum of the photographic print.

DANILO SANTINELLI "In Sediments."

to edited by** Gianluca Marziani** and** Andrea Barchiesi**

The factory and its contemporary identity. References of an imposing past subjected to the critical judgment of an ambiguous present, uncertain in values, where ideology deserves new narrative accounts. Santinelli short-circuits twentieth-century socialist iconography, simulating strong memories within tainted visions that would please to Thomas Pynchon.

FEDERICO MORETTI "With eyes turned to the ceiling of course."

to curated by Gianluca Marziani and Andrea Barchiesi

The photographic portrait as an open genetic code, from complete with the "biological" gesture of the ballpoint pen. The definition of fluctuating identities is expressed in the artist's slow method, in his flow of ink that becomes the oxygenating blood of the image. A process between close-up and inner discipline: to rethink appearances and redefine the margins of the gaze.

FIBER-ART

to edited by Giuseppina Caldarola, Bianca Cimiotta Lami, Lydia Predominato

Textile and Costume Museum

About 20 artists for an exhibition around the themes of fiber and weaving, declined with solutions and methods that belong to contemporary art. The project investigates one of the cornerstones of textile craftsmanship, however, seeking its innovative soul, plastic spirit, and figurative tension that shifts attention to themes and content of adequate depth.