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Palazzo Collicola Arti Visive
ANTONIO MARRAS + DANILO BUCCHIInsiemeSiamo AltroAfashion signature and a rising Italian artist meet in the halls of the Piano Nobile. Two approaches to construction, two elaborative modes that complement each other in manner and structure. Drawing, a primary code for Bucchi, is Marras's creative source, his faithful memory. Dressing bodies, Marras' working attitude, is instead Bucchi's implicit tension, a pictorial tailoring that seeks on surfaces the distinctive code and emotional alchemy. An exhibition to four hands that reflects on the canons of drawing, on the relationships between image and materials, on the steps within the ideational process. When the dress becomes habitus.Cosmogonia presentsIMONDI DI MARIO SCHIFANO IN A REALLY PRIVATE COLLECTION
The story of a woman who tells her story through a special slice of her contemporary art collection. Marina Deserti, a successful entrepreneur, traces her life together with the works of Mario Schifano, collected over the years in a continuous link between culture and everyday passions, family and free time, memories and desire for the future. A selection of works for a journey in twelve thematic sections with many unpublished works and a big surprise, the complete room with the four large paintings "Ex Film." Drawings, canvases, collages, manipulated photographs and sculptures to traverse Schifano's worlds within the personal stories of a "really" private collection.
GIANFRANCO CHIAVACCIBinaria
A master of experimental photography, an unbridled researcher who for fifty years worked on iconographic codes and conceptual themes between photography and painting. to Spoleto is presented the complex pictorial research of Gianfranco Chiavacci (1936-2011), dedicated to the theme of binary on two-dimensional surfaces. An artist with whom to investigate the links between image and technology, science and visual composition, materials and perception. The Spoleto exhibition is part of a double exhibition project: after the summer stage dedicated to painting, it will be Palazzo Fabroni (Pistoia, spring 2014) to dedicate an extensive anthological exhibition to Chiavacci's photographicopera .
GIUSEPPERIPAIna way,an anthological exhibition
Palazzo Collicola's journey into Contemporary Italian Photography continues. Today is the turn of Giuseppe Ripa, an Italian artist of mature experience on the unstable field of the Planet, author of seven serial moments that have seen a parallel editorial line with the Charta brand. The Spoleto project will have its focus on the American cycles Moondance and Liminal. A third section will be devoted to the new series entitled Seaside. The last section will cover the previous cycles Anima Mundi, Tibet, Stone Memories, Lightly, Aquarium, evoked in the exhibition through the eponymous artbooks (published from Charta) and a slide-show with the works not exhibited in the other rooms. Ripa takes photography to its archetypes, to a universal purity, and seems to tell us that it is not the specific places that really matter but the eye, the cognitive approach, the emotional disposition.
GIULIANOCORELLIDailyMirrorGiulianoCorelli (Condino, 1971) is an anomalous and refined artist, devoid of exhibition eagerness, concentrated to work in his studio since 2007, the year he moved to Tuscany and began to sculpting marble. from that day, nine large sculptures with the typical white of Carrara were born, all in natural scale, nine positions of daily life of his urban men with contemporary and catalyzing features. Nine visions that, through postures and cathartic actions, overturn the static nature of the mannequin and imply a moral reading, an ethical code that takes monumentalism and brings it back to everyday life, just as happened yesterday with George Segal and today with Charles Ray.Collicola onthewall presents2501_BORONDO_LUCAMALEONTE_ MONEYLESS_ SBAGLIATO
Five new interventions on the walls of Palazzo Collicola Arti Visive, to confirmation of the museum's vocation for urban languages and new codes of expression. The works represent further insertions in the interstitial areas of the structure, thus expanding a wall mapping that takes its cue from Sol LeWitt's room entitled "Bands of Color." For the Spoleto museum, it is a confirmation of special attention to the codes of metropolitan art, in tune with Los Angeles' Moca, London's Tate Modern and other spaces that follow the most innovative frequencies of contemporary art.
