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60

DELITTO E DOVERE

DELITTO E DOVERE

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Friday
7
July
2017
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20:00
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2017
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Sunday
9
July
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18:00
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2017
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2017
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2017
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Opera

Synopsis

In London's caliginies - in a farcical as much as real society - mocking fate makes murder an illogical duty, detonating events toward the insane search for the most suitable corpse candidate.

In Lord Arthur Savile's Crime, Oscar Wilde offers a satirical, ironic, caricatured, abysmal view not only of characters but also of customs and society. In addition, Crime and Duty draws from De Profundis, Wilde's most intimateopera , written in prison, where he was imprisoned for period moral hypocrisy.

We are in Victorian-era London: alcoholic beverages, prostitutes as human commodities, poverty, child labor. It is the age of the second industrial and scientific revolution (electricity, chemicals, oil) but, since opposites always flourish simultaneously, also of the antithetical paranormal: hypnosis, mediumistic séances, freak shows, palmistry. It is precisely on the latter that the affair is based. A reception, shrill voices, affable speeches. After 11 p.m. the atmosphere heats up and Lady Windermere, hostess, asks the fortune teller Podgers to read the palms of the onlookers. Reaching young Arthur Savile, the fortune teller is shocked at what he sees....

The scenes are mainly carried out indoors (rooms, pharmacy, hotel) and when outdoors (alleys, Thames embankment), they are claustrophobic, with gray industrial fumes, fog, darkness.

An entire universe centered on the exaltation of kitsch - wedding favors, cups, fans, confetti and trinkets - symbols, along with the morbid attraction to the occult and superstition, of the superficiality of bourgeois and aristocratic Victorian ways of life. The same superficiality that we find today in the abuse of portable technological devices, in the kitsch of virtual 'objects,' in fake news, in indignities that 'cleanse' the conscience, in the stillness that often falls into the voyeurism of horror.

Seven singers, some with multiple roles, joust the characters and are accompanied on stage from mimes and extras. Victorian-era marching bands suggest the chamber ensemble ofopera. to commentary of the paintings, a reciting voice embodies that of Oscar Wilde.

Credits

Program

loosely drawn from

_Lord Arthur Savile's crime - to study of Duty _

by Oscar Wilde

opera opera in one act

music and libretto by Alberto E. Colla

directed by Paolo Gavazzeni and Piero Maranghi

scenes and lighting** Angelo Linzalata**

costumes Nicoletta Ceccolini

Akos Barat designs

Musical Talents Orchestra

maestro concertatore** Giovanni Di Stefano**

assistant conductor Marco Alibrando

Sunday, July 9 replica at 3 p.m. will be directed from Marco Alibrando

Lord Arthur Saville

Marco Bussi/Michele Patti*

Sybil Merton

Laura Baudelet/Mariia Komarova*

Lady Gladys Windermere

Carlotta Vichi/Julija Samsonova-Khayet*

Lady Clementine Beauchamp

**Tania Pacilio **

Lady Marvel

Rachel O'Brien

Duchess of Paisley and Jane Peccy

Vittoriana De Amicis/Morgane Bertrand*

Mr. Septimius and The Owner of the Hotel.

Didier Pieri/Pasquale Scircoli*

Herr Winckelkopf and Sir Thomas

Davide Procaccini/Gabriele Bolletta*

Alexander Tedeschi

as Oscar Wilde

*recitations of July 8 at 15 and July 9 at 18

** **

new production Fondazione Teatro Coccia di Novara

orchestral

Thomas Belli

Amanda Coggiola

Daniele Cravero

Nicolas Di Saverio

Nicholas Dho

Vincenzo Ferrante Bannera

Fabio Freisa

Alexander Grimaldi

Adriano Marchelli

Ruggero Mastrolorenzi

David Moscow

Flavio Nazzareno Pannacci

Gabriele Puglisi

Valerio Quaranta

Gabriele Randazzo

Isabella Stabio

Ferdinando Vietti

Rebecca Viora

_figurants _

Virginia Campanella

Alessio Cioni

Fabio Crivellari

Elena Sala

(School of Musical Theater students)

and Alessio Ferrara

production manager Silvana Sateriale

assistant set designer Elisabetta Scotti

assistant costume designer **Sara Gomarasca **

technical director **Helenio Talato **

production manager Silvana Sateriale

machinist builder Alessio Onida

lighting giver **Ivan Pastrovicchio **.

machinist Lorenzo Saletta

toolmaker Alessandro Raimondi

employer video Luca Pascale

seamstress Silvia Lumes

assistant seamstress Elisa Ascione

makeup and hair Rosalia Visaggio

hair and makeup assistant Viola Fioravanti

Dates & Tickets

TICKETING INFO
Fri
07
Jul
2017
at
20:00
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
at
Auditorium della Stella
Event Times
June 28
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
June 29
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
June 30
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
01 July
10:00
11:00
12:00
13:15
14:15
15:30
16:30
17:45
20:30
21:30
02 July
10:00
11:00
12:00
13:15
14:15
17:30
18:30
19:45
20:45
21:45
04 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
05 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
06 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
07 July
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
19:45
20:45
08 July
10:00
11:00
12:00
13:00
14:15
15:15
16:30
17:30
18:30
20:45
21:45
09 July
10:00
11:00
12:00
13:00
14:15
17:30
18:30
19:45
20:45
21:45

Playlist

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Biographies

ALBERTO E. COLLA

A composer and music theorist, he studied with Carlo Mosso at the Conservatory of Alessandria and specialized with Azio Corghi at the Accademia Internazionale Santa Cecilia in Rome. Author of more than 120 compositions, between 1996 and 2015 he won thirteen first prizes to International Composition Competitions. Colla prefers the creation of extensive symphonic works, performed from some of the most celebrated orchestras: Chicago, Los Angeles, Saint Louis, Albany, Maggio Musicale Fiorentino, Mozarteum, Bayerischen Rundfunks, RAI, Santa Cecilia... In 2002 theopera opera Il processo was staged by the Teatro alla Scala and ITeatri di Reggio Emilia; revived in 2004, in German, by the Kiel Theater. Luciano Berio commissions him a piece for choir and large orchestra for the inauguration of Renzo Piano's Auditorium to Rome. In 2006 CEI commissioned him to write an oratorio, performed by the Arena di Verona ensembles, for voice, five soloists, three choirs, large orchestra and harmonic lights. Appointed compositeur associé of the Orchestre National d'Île de France in Paris from 2012 to 2014, he composed the _Symphonie des Prodiges _directed from Enrique Mazzola at the Salle Pleyel in 2013. In 2015 he won the Barlow Prize from Brigham Young University in Utah and received the commission for Ode by the Earth (Symphony No. 4), to be performed by the San Antonio, Utah and Beijing Symphony. In 2016 he wrote the _Symphony No. 5 (The restlessness of being human) _and, commissioned by the MiTo Festival, he orchestrated the _op. 118 No. 2 _by Brahms. Published from Casa Ricordi, he is a tenured lecturer in Composition at the Sassari Conservatory of Music.

PAOLO GAVAZZENI

He graduated in principal piano at the G. Donizetti Conservatory of Bergamo and graduated in Law at the State University of Milan with a thesis on the working relationship between Opera Bodies and artistic masses. After a four-year professional experience as Artistic Director of the TV channel Tele+ 3 Classica, in the year 2000 he joined the Accademia del Teatro alla Scala, where he was artistic coordinator for two years. In 2002 he is called to to be part of the Artistic Direction of the Teatro alla Scala where he will remain until the end of 2011 with the title of Head of the daily activity of the Theater. During those years he had the opportunity to follow the rehearsals of opera productions, ballets and symphony concerts, working daily alongside the great masters and directors who worked at the Theater during those years. From 2012 to 2016 he held the position of Artistic Director at the Fondazione Arena di Verona, and since November of the same year he has been appointed Artistic Director of the television channel Classica HD, broadcast on the Sky television platform. From the artistic partnership with Piero Maranghi took shape the directorships of Verdi's Aida at Teatro Coccia in Novara (2016) and that of _Manon Lescaut _by Puccini at Teatro Massimo Bellini in Catania (2017).

PIERO MARANGHI

He is managing director and director of Classica Italia, a company that is part of the international Classica Germany Network, which runs the Classica HD TV channel broadcast on the Sky platform. In 2008, with Skira partners, he launched Skira-Classica, a concessionary company of Teatro alla Scala. Since 2003 he has been director of the Foundation named after architect Piero Portaluppi. In 2015 he oversaw the restoration of Leonardo's Vineyard from Vinci and the opening of the Casa degli Atellani to the public. As a film producer he has recently made two docufilms, distributed in cinemas around the world: "Teatro alla Scala. The Temple of Wonders" and "Leonardo from Vinci. The Genius to Milan" and a film dedicated to Roberto Bolle "Roberto Bolle. The Art of Dance" and one dedicated to architect Piero Portaluppi "The Amateur." Currently in production is "Max & Maestro," a cartoon series, with the extraordinary participation of Daniel Barenboim. The series is co-produced from RAI, France Télévision and HR, one of the regional stations of German TV. From the artistic partnership with Paolo Gavazzeni took shape the productions of Verdi's Aida at Teatro Coccia in Novara (2016) and Puccini's Manon Lescaut at Teatro Massimo Bellini in Catania (2017).

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60

FULL PROGRAM
30
June
2017
Teatro Nuovo Gian Carlo Menotti